{"id":9873,"date":"2005-04-14T00:00:00","date_gmt":"2005-04-13T22:00:00","guid":{"rendered":"http:\/\/localhost:53809\/?p=9873"},"modified":"2005-04-14T00:00:00","modified_gmt":"2005-04-13T22:00:00","slug":"le-reve-de-balthus-nathalie-rheims","status":"publish","type":"post","link":"https:\/\/jeanclaude-diruocco.fr\/?p=9873","title":{"rendered":"LE R\u00caVE DE BALTHUS &#8211; Nathalie Rheims"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>ART SUD &#8211;<\/strong>&nbsp;Num&eacute;ro 49<br \/><em>2&egrave;me Trimestre 2005<br \/><\/em><\/p>\n<p style=\"text-align: justify;\"><span class=\"Apple-style-span\" style=\"line-height: 12px;\">&nbsp;<\/span><span class=\"Apple-style-span\" style=\"font-family: Verdana; font-size: 13px;\">L&eacute;a, m&eacute;dium mais amn&eacute;sique, fait un songe r&eacute;current. Elle r&ecirc;ve du tableau de Balthus &ldquo;Le r&ecirc;ve II&rdquo;. De myst&eacute;rieux personnages rentrent en contact avec elle. Ils composent une confr&eacute;rie qui veut percer le secret de l&rsquo;immortalit&eacute;. Ce secret serait dissimul&eacute; dans les diff&eacute;rents tableaux dont L&eacute;a r&ecirc;ve (un par an) et sur lesquels figure une jeune fille qui, en comparant les toiles, est toujours la m&ecirc;me&hellip; quand on sait que les tableaux sont de Caravage, Fragonard, Vermeer, Ingres, Titien, Watteau, Moreau et Balthus, il y a de quoi en effet se poser des questions.<br \/> Nathalie Rheims pars&egrave;me son roman d&rsquo;informations v&eacute;ritablement int&eacute;ressantes sur les peintres, &eacute;crivains et autres artistes cit&eacute;s dans son ouvrage et parvient &agrave; cr&eacute;er entre eux des connexions judicieuses mais cela suffit-il ? R&eacute;unions secr&egrave;tes, talismans divers, comptines proph&eacute;tiques, pri&egrave;res ferventes, formules pseudo-religieuses, anges, d&eacute;mons, rituels (entre autres l&rsquo;absorption de drag&eacute;es, les fameux hosties de Satan qui permettent de voir l&rsquo;invisible), sans oublier le moine encapuchonn&eacute; qui &agrave; fait v&oelig;ux de silence mais l&rsquo;a sans doute oubli&eacute; et &eacute;videmment l&rsquo;indispensable pacte avec le Malin, voil&agrave; la liste non exhaustive que le lecteur &eacute;bahi peut d&eacute;couvrir en tournant les pages de cet ouvrage.<br \/> Le sc&eacute;nario s&rsquo;annon&ccedil;ait all&eacute;chant, dommage, m&ecirc;me si la fin remet un peu d&rsquo;ordre dans cet inventaire h&eacute;t&eacute;roclite de folklore satanique<\/span><\/p>\n<p> <!--StartFragment--><!--EndFragment--><!--StartFragment--><!--EndFragment--><\/p>\n<p style=\"text-align: justify;\"><span class=\"Apple-style-span\" style=\"line-height: 12px;\"><em><span class=\"Apple-style-span\" style=\"font-family: Verdana; line-height: normal; font-size: 8px;\">Jean-Claude Di Ruocco<\/span><\/em><\/span><\/p>\n<blockquote style=\"background-color: #e0e0e0; opacity: 0.8; padding-top: 10px; padding-right: 15px; padding-bottom: 10px; padding-left: 15px; margin: 20px;\">\n<p class=\"MsoNormal\" style=\"text-align: justify; line-height: 12px; vertical-align: middle;\"><span class=\"Apple-style-span\" style=\"font-family: Verdana; line-height: normal;\">160 pages &#8211;&nbsp;<strong>Fayard &#8211; L&eacute;o Scheer<\/strong>&nbsp;&#8211; 13 euros<\/span><\/p>\n<\/blockquote>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ART SUD &#8211;&nbsp;Num&eacute;ro 492&egrave;me Trimestre 2005 &nbsp;L&eacute;a, m&eacute;dium mais amn&eacute;sique, fait un songe r&eacute;current. Elle r&ecirc;ve du tableau de Balthus &ldquo;Le r&ecirc;ve II&rdquo;. De myst&eacute;rieux personnages rentrent en contact avec elle. Ils composent une confr&eacute;rie qui veut percer le secret de l&rsquo;immortalit&eacute;. Ce secret serait dissimul&eacute; dans les diff&eacute;rents tableaux dont L&eacute;a r&ecirc;ve (un par&hellip;&nbsp;<a href=\"https:\/\/jeanclaude-diruocco.fr\/?p=9873\" class=\"\" rel=\"bookmark\">Lire la suite &raquo;<span class=\"screen-reader-text\">LE R\u00caVE DE BALTHUS &#8211; Nathalie Rheims<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":10195,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[6],"tags":[],"class_list":["post-9873","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques"],"_links":{"self":[{"href":"https:\/\/jeanclaude-diruocco.fr\/index.php?rest_route=\/wp\/v2\/posts\/9873","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jeanclaude-diruocco.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jeanclaude-diruocco.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jeanclaude-diruocco.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jeanclaude-diruocco.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9873"}],"version-history":[{"count":0,"href":"https:\/\/jeanclaude-diruocco.fr\/index.php?rest_route=\/wp\/v2\/posts\/9873\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jeanclaude-diruocco.fr\/index.php?rest_route=\/wp\/v2\/media\/10195"}],"wp:attachment":[{"href":"https:\/\/jeanclaude-diruocco.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9873"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jeanclaude-diruocco.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9873"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jeanclaude-diruocco.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}